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	<title>There from Here &#187; New york times</title>
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	<description>Jennifer Finney Boylan</description>
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		<title>The Naked and the Confused by Kate Roiphe</title>
		<link>http://www.jenniferboylan.net/2010/01/04/the-naked-and-the-confused-by-kate-roiphe/</link>
		<comments>http://www.jenniferboylan.net/2010/01/04/the-naked-and-the-confused-by-kate-roiphe/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 12:38:17 +0000</pubDate>
		<dc:creator>Jennifer Finney Boylan</dc:creator>
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		<description><![CDATA[Kate Roiphe writes about changing attitudes about sex in the new generation of male writers.  From the NYT Sunday Book Review, January 3, 2010. For a literary culture that fears it is on the brink of total annihilation, we are awfully cavalier about the Great Male Novelists of the last century. It has become popular [...]]]></description>
			<content:encoded><![CDATA[<p><em>Kate Roiphe writes about changing attitudes about sex in the new generation of male writers.  From the NYT Sunday Book Review, January 3, 2010.</em></p>
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<div id="embed893">For a literary culture that fears it is on the brink of total annihilation, we are awfully cavalier about the Great Male Novelists of the last century. It has become popular to denounce those authors, and more particularly to deride the sex scenes in their novels. Even the young male writers who, in the scope of their ambition, would appear to be the heirs apparent have repudiated the aggressive virility of their predecessors.</div>
<div>After reading a sex scene in <a title="More articles about Philip Roth." href="http://topics.nytimes.com/top/reference/timestopics/people/r/philip_roth/index.html?inline=nyt-per">Philip Roth</a>’s latest novel, “The Humbling,” someone I know threw the book into the trash on a subway platform. It was not exactly feminist rage that motivated her. We have internalized the feminist critique pioneered by Kate Millett in “Sexual Politics” so completely that, as one of my students put it, “we can do the math ourselves.” Instead my acquaintance threw the book away on the grounds that the scene was disgusting, dated, redundant. But why, I kept wondering, did she have to throw it out? Did it perhaps retain a little of the provocative fire its author might have hoped for? Dovetailing with this private and admittedly limited anecdote, there is a punitive, vituperative quality in the published reviews that is always revealing of something larger in the culture, something beyond one aging writer’s failure to produce fine enough sentences. All of which is to say: How is it possible that Philip Roth’s sex scenes are still enraging us?</div>
<div><a href="http://www.nytimes.com/2010/01/03/books/review/Roiphe-t.html?em">Click here for the full article at nytimes.com</a></div>
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		<title>&#8220;Isn&#8217;t it Outrageous?&#8221; by Tim Kreider</title>
		<link>http://www.jenniferboylan.net/2009/07/18/isnt-it-outrageous-by-tim-kreider/</link>
		<comments>http://www.jenniferboylan.net/2009/07/18/isnt-it-outrageous-by-tim-kreider/#comments</comments>
		<pubDate>Sat, 18 Jul 2009 15:32:02 +0000</pubDate>
		<dc:creator>Jennifer Finney Boylan</dc:creator>
				<category><![CDATA[tim kreider]]></category>
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		<category><![CDATA[New york times]]></category>

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		<description><![CDATA[My friend Tim Kreider has posted up his most recent column for the New York Times&#8217; blog series, &#8220;Happy Days.&#8221; This one&#8217;s called &#8220;Isn&#8217;t It Outrageous?&#8221; and it&#8217;s about the dark little secret&#8211; that we actually like, sometimes, the sense of being enraged. &#8220;Isn&#8217;t It Outrageous?&#8221; by Timothy Kreider Originally published New York Times, July [...]]]></description>
			<content:encoded><![CDATA[<p><a class="tt-flickr tt-flickr-Medium" title="Grivances533" href="http://www.flickr.com/photos/43131776@N00/3732523242/"><img class="alignleft" src="http://farm3.static.flickr.com/2651/3732523242_0df7ef6b02.jpg" alt="Grivances533" width="368" height="500" /></a><em>My friend Tim Kreider has posted up his most recent column for the New York Times&#8217; blog series, &#8220;Happy Days.&#8221;</em></p>
<p><em>This one&#8217;s called &#8220;Isn&#8217;t It Outrageous?&#8221; and it&#8217;s about the dark little secret&#8211; that we actually like, sometimes, the sense of being enraged.</em></p>
<p>&#8220;<span style="font-size: large;"><strong><span style="text-decoration: underline;">Isn&#8217;t It Outrageous?&#8221; by Timothy Kreider</span></strong></span></p>
<p>Originally published New York Times, July 14, 2009</p>
<p><span style="font-size: small;">I was a political cartoonist and essayist for the duration of the Bush presidency, so I was professionally furious every week for eight years. The pejorative “Bush-hater” always rankled me – presuming that my rightful outrage at that administration’s abuses was as arbitrary and irrational as misogyny or arachnophobia. And yet, looking back at my work from those years, even I am struck by its tone of shrill, unrelieved rancor. No wonder readers who met me in real life seemed surprised to learn that I was personable and polite; they must’ve been expecting someone more like Ted Kaczynski or the guy from “Notes from Underground.” Reading over my own impassioned rants now, my main reaction is: </span><span style="font-size: small;">Jeez Louise, what a sorehead.</span></p>
<p>A couple of years ago, while meditating, I learned something kind of embarrassing: anger feels good. Although we may consciously experience it as upsetting, somatically it feels a lot like the first rush of an opiate — a tingling warmth on the insides of your elbows and wrists, in the back of your knees. Realizing that anger was a physical pleasure explained some of the perverse obstinancy with which my mind kept returning to it despite the fact that, intellectually, I knew it was pointless self-torture.</p>
<p>Once I realized I enjoyed anger, I noticed how much time I spent experiencing it. If you’re anything like me, you spend about 87 percent of your mental life winning imaginary arguments that are never actually going to take place. It seems like most of the fragments of conversation you overhear in public consist of rehearsals for, or reenactments of, just such speeches: shrill litanies of injury and injustice, affronts to common sense and basic human decency too grotesque to be borne. You don’t even have to bother eavesdropping; just listen for that high, whining tone of incredulous aggrievement. It sounds like we’re all telling ourselves the same story over and over: How They Tried to Crush My Spirit (sometimes with the happy denouement: But I Showed Them!)</p>
<p>Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because&#8230;</p>
<p><a href="http://happydays.blogs.nytimes.com/2009/07/14/isnt-it-outrageous/?scp=1&amp;sq=kreider&amp;st=cse"><span><span style="color: #000000;"><span style="text-decoration: none;">(the rest of the column at the jump, here)</span></span></span></a></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; line-height: 1.5em;"><span style="font-size: small;"><a class="tt-flickr tt-flickr-Small" title="happydays_post" href="http://www.flickr.com/photos/43131776@N00/3732530904/"><img class="alignnone" src="http://farm3.static.flickr.com/2428/3732530904_65bfe6849d_m.jpg" alt="happydays_post" width="240" height="42" /></a> </span></p>
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